Fluent
By John O’Donohue
I would love to live
Like a river flows,
Carried by the surprise
Of its own unfolding.
Late Fragment
By Raymond Carver
And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on the earth.
Mysteries, Yes
by Mary Oliver
Truly, we live with mysteries too marvelous
to be understood.
How grass can be nourishing in the
mouths of the lambs.
How rivers and stones are forever
in allegiance with gravity
while we ourselves dream of rising.
How two hands touch and the bonds
will never be broken.
How people come, from delight or the
scars of damage,
to the comfort of a poem.
Let me keep my distance, always, from those
who think they have the answers.
Let me keep company always with those who say
“Look!” and laugh in astonishment,
and bow their heads.
Viewpoint
By Mahmoud Darwish, translated from the Arabic by Fady Joudah
The difference between narcissus
and sunflower
is a point of view: the first
stares at his image in water
and says, there is no I but I
and the second looks
at the sun and says I am
what I worship.
And at night, difference shrinks
and interpretation widens.
Tin Bucket
By Jenny George
The world is not simple.
Anyone will tell you.
But have you ever washed a person’s hair
over a tin bucket,
gently twisting the rope of it
to wring the water out?
At the end of everything,
dancers just use air as their material.
A voice keeps singing even
without an instrument.
You make your fingers into a comb.
The Tyger
By William Blake
Tyger Tyger, burning bright,
In the forests of the night;
What immortal hand or eye,
Could frame thy fearful symmetry?
In what distant deeps or skies.
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand, dare seize the fire?
And what shoulder, & what art,
Could twist the sinews of thy heart?
And when thy heart began to beat.
What dread hand? & what dread feet?
What the hammer? what the chain,
In what furnace was thy brain?
What the anvil? what dread grasp.
Dare its deadly terrors clasp?
When the stars threw down their spears
And water'd heaven with their tears:
Did he smile his work to see?
Did he who made the Lamb make thee?
Tyger Tyger burning bright,
In the forests of the night:
What immortal hand or eye,
Dare frame thy fearful symmetry?
This Moment
By Charles Bukowski
it’s a farce, the great actors, the great poets, the great statesmen, the great painters,
the great composers, the great lovers, it’s a farce, a farce, a farce,
history and the recording of it, forget it, forget it.
you must begin all over again.
throw all that out.
all of them out
you are alone with now.
look at you fingernails.
touch your nose.
begin.
the day flings itself upon you.
To make a prairie
By Emily Dickinson
To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.
Dove That Ventured Outside
by Rainer Maria Rilke
Dove that ventured outside, flying far from the dovecote:
housed and protected again, one with the day, the night,
knows what serenity is, for she has felt her wings
pass through all distance and fear in the course of her wanderings.
The doves that remained at home, never exposed to loss,
innocent and secure, cannot know tenderness;
only the won-back heart can ever be satisfied: free,
through all it has given up, to rejoice in its mastery.
Being arches itself over the vast abyss.
Ah the ball that we dared, that we hurled into infinite space,
doesn't it fill our hands differently with its return:
heavier by the weight of where it has been.
The Thing Is
By Ellen Bass
to love life, to love it even
when you have no stomach for it
and everything you’ve held dear
crumbles like burnt paper in your hands,
your throat filled with the silt of it.
When grief sits with you, its tropical heat
thickening the air, heavy as water
more fit for gills than lungs;
when grief weights you down like your own flesh
only more of it, an obesity of grief,
you think, How can a body withstand this?
Then you hold life like a face
between your palms, a plain face,
no charming smile, no violet eyes,
and you say, yes, I will take you
I will love you, again.
Sonnet 65: Since brass, nor stone, nor earth, nor boundless sea
By William Shakespeare
Since brass, nor stone, nor earth, nor boundless sea
But sad mortality o’er-sways their power,
How with this rage shall beauty hold a plea,
Whose action is no stronger than a flower?
O, how shall summer’s honey breath hold out
Against the wrackful siege of batt’ring days,
When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time’s best jewel from time’s chest lie hid?
Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid?
O, none, unless this miracle have might,
That in black ink my love may still shine bright.
Give All to Love
By Ralph Waldo Emerson
Give all to love;
Obey thy heart;
Friends, kindred, days,
Estate, good-fame,
Plans, credit and the Muse,—
Nothing refuse.
’T is a brave master;
Let it have scope:
Follow it utterly,
Hope beyond hope:
High and more high
It dives into noon,
With wing unspent,
Untold intent:
But it is a god,
Knows its own path
And the outlets of the sky.
It was never for the mean;
It requireth courage stout.
Souls above doubt,
Valor unbending,
It will reward,—
They shall return
More than they were,
And ever ascending.
Leave all for love;
Yet, hear me, yet,
One word more thy heart behoved,
One pulse more of firm endeavor,—
Keep thee to-day,
To-morrow, forever,
Free as an Arab
Of thy beloved.
Cling with life to the maid;
But when the surprise,
First vague shadow of surmise
Flits across her bosom young,
Of a joy apart from thee,
Free be she, fancy-free;
Nor thou detain her vesture’s hem,
Nor the palest rose she flung
From her summer diadem.
Though thou loved her as thyself,
As a self of purer clay,
Though her parting dims the day,
Stealing grace from all alive;
Heartily know,
When half-gods go,
The gods arrive.
Rain
By Raymond Carver
Woke up this morning with
a terrific urge to lie in bed all day
and read. Fought against it for a minute.
Then looked out the window at the rain.
And gave over. Put myself entirely
in the keep of this rainy morning.
Would I live my life over again?
Make the same unforgiveable mistakes?
Yes, given half a chance. Yes.
The Poet with His Face in His Hands
By Mary Oliver
You want to cry aloud for your
mistakes. But to tell the truth the world
doesn’t need anymore of that sound.
So if you’re going to do it and can’t
stop yourself, if your pretty mouth can’t
hold it in, at least go by yourself across
the forty fields and the forty dark inclines
of rocks and water to the place where
the falls are flinging out their white sheets
like crazy, and there is a cave behind all that
jubilation and water fun and you can
stand there, under it, and roar all you
want and nothing will be disturbed; you can
drip with despair all afternoon and still,
on a green branch, its wings just lightly touched
by the passing foil of the water, the thrush,
puffing out its spotted breast, will sing
of the perfect, stone-hard beauty of everything.
For One Who Is Exhausted, a Blessing
By John O’Donohue
When the rhythm of the heart becomes hectic,
Time takes on the strain until it breaks;
Then all the unattended stress falls in
On the mind like an endless, increasing weight.
The light in the mind becomes dim.
Things you could take in your stride before
Now become laborsome events of will.
Weariness invades your spirit.
Gravity begins falling inside you,
Dragging down every bone.
The tide you never valued has gone out.
And you are marooned on unsure ground.
Something within you has closed down;
And you cannot push yourself back to life.
You have been forced to enter empty time.
The desire that drove you has relinquished.
There is nothing else to do now but rest
And patiently learn to receive the self
You have forsaken in the race of days.
At first your thinking will darken
And sadness take over like listless weather.
The flow of unwept tears will frighten you.
You have traveled too fast over false ground;
Now your soul has come to take you back.
Take refuge in your senses, open up
To all the small miracles you rushed through.
Become inclined to watch the way of rain
When it falls slow and free.
Imitate the habit of twilight,
Taking time to open the well of color
That fostered the brightness of day.
Draw alongside the silence of stone
Until its calmness can claim you.
Be excessively gentle with yourself.
Stay clear of those vexed in spirit.
Learn to linger around someone of ease
Who feels they have all the time in the world.
Gradually, you will return to yourself,
Having learned a new respect for your heart
And the joy that dwells far within slow time.
Sonnets to Orpheus II.XII
By Rainer Maria Rilke
Strive for transformation, O be inspired with the flame
Wherein, rich in changes, a thing withdraws from your reach;
the planning spirit who masters everything earthly,
loves above all in the sweep of the figure
the point where it turns.
What locks itself in endurance grows rigid;
sheltered in unassuming grayness, does it feel safe?
Wait, from the distance, hardness is menaced by something still harder.
Alas-: a remote hammer is poised to strike.
Knowledge knows him who pours forth as a spring;
Delighted she guides him, showing him what was created in joy
And often concludes with beginning and starts with the end.
Every happy space they traverse in wonder
Is child or grandchild of parting. And Daphne, transformed,
feeling herself laurel, wants you to change into wind.
The Holy Longing
by Goethe, translated by Robert Bly and David Whyte
Tell a wise person or else keep silent
for those who do not understand
will mock it right away.
I praise what is truly alive
what longs to be burned to death.
In the calm waters of the love nights
where you were begotten, where you have begotten
a strange feeling creeps over you
as you watch the silent candle burning.
Now you are no longer caught
in the obsession with darkness
and a desire for higher lovemaking
sweeps you upwards.
Distance does not make you falter,
now, arriving in magic, flying
and finally insane for the light
you are the butterfly, and you are gone.
And so long as you have not experienced
this: to die and so to grow
you are only a troubled guest
on the dark earth.
On The Pulse Of Morning
By Maya Angelou
A Rock, A River, A Tree
Hosts to species long since departed,
Marked the mastodon,
The dinosaur, who left dried tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness
Have lain too long
Face down in ignorance.
Your mouths spilling words
Armed for slaughter.
The Rock cries out to us today, you may stand upon me,
But do not hide your face.
Across the wall of the world,
A River sings a beautiful song. It says,
Come, rest here by my side.
Each of you, a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet today I call you to my riverside,
If you will study war no more. Come,
Clad in peace, and I will sing the songs
The Creator gave to me when I and the
Tree and the rock were one.
Before cynicism was a bloody sear across your
Brow and when you yet knew you still
Knew nothing.
The River sang and sings on.
There is a true yearning to respond to
The singing River and the wise Rock.
So say the Asian, the Hispanic, the Jew
The African, the Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek
The Irish, the Rabbi, the Priest, the Sheik,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the Teacher.
They hear. They all hear
The speaking of the Tree.
They hear the first and last of every Tree
Speak to humankind today. Come to me, here beside the River.
Plant yourself beside the River.
Each of you, descendant of some passed
On traveller, has been paid for.
You, who gave me my first name, you,
Pawnee, Apache, Seneca, you
Cherokee Nation, who rested with me, then
Forced on bloody feet,
Left me to the employment of
Other seekers—desperate for gain,
Starving for gold.
You, the Turk, the Arab, the Swede, the German, the Eskimo, the Scot,
You the Ashanti, the Yoruba, the Kru, bought,
Sold, stolen, arriving on the nightmare
Praying for a dream.
Here, root yourselves beside me.
I am that Tree planted by the River,
Which will not be moved.
I, the Rock, I the River, I the Tree
I am yours—your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain
Cannot be unlived, but if faced
With courage, need not be lived again.
Lift up your eyes upon
This day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands,
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts
Each new hour holds new chances
For a new beginning.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out and upon me, the
Rock, the River, the Tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here, on the pulse of this new day
You may have the grace to look up and out
And into your sister’s eyes, and into
Your brother’s face, your country
And say simply
Very simply
With hope—
Good morning.
When I am Among the Trees
by Mary Oliver
When I am among the trees,
especially the willows and the honey locust,
equally the beech, the oaks and the pines,
they give off such hints of gladness.
I would almost say that they save me, and daily.
I am so distant from the hope of myself,
in which I have goodness, and discernment,
and never hurry through the world
but walk slowly, and bow often.
Around me the trees stir in their leaves
and call out, “Stay awhile.”
The light flows from their branches.
And they call again, “It’s simple,” they say,
“and you too have come
into the world to do this, to go easy, to be filled
with light, and to shine.”
A Spiritual Journey
by Wendell Berry
And the world cannot be discovered by a journey of miles,
no matter how long,
but only by a spiritual journey,
a journey of one inch,
very arduous and humbling and joyful,
by which we arrive at the ground at our feet,
and learn to be at home.
When All the World is Young, Lad
by Charles Kingsley
When all the world is young, lad,
And all the trees are green;
And every goose a swan, lad,
And every lass a queen;
Then hey for boot and horse, lad,
And round the world away!
Young blood must have its course, lad,
And every dog his day.
When all the world is old, lad,
And all the trees are brown;
And all the sport is stale, lad,
And all the wheels run down;
Creep home, and take your place there,
The spent and maimed among;
God grant you find one face there,
You loved when all was young.
Sonnets to Orpheus II.XXIX
By Rainer Maria Rilke
Quiet friend who has come so far,
feel how your breathing makes more space around you.
Let this darkness be a bell tower
and you the bell. As you ring,
what batters you becomes your strength.
Move back and forth into the change.
What is it like, such intensity of pain?
If the drink is bitter, turn yourself to wine.
In this uncontainable night,
be the mystery at the crossroads of your senses,
the meaning discovered there.
And if the world has ceased to hear you,
say to the silent earth: I flow.
To the rushing water, speak: I am.
The Summer Day
by Mary Oliver
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean—
the one who has flung out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down—
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel down in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
with your one wild and precious life?
Style
By Charles Bukowski
style is the answer to everything --
a fresh way to approach a dull or a
dangerous thing.
to do a dull thing with style
is preferable to doing a dangerous thing
without it.
Joan of Arc had style
John the Baptist
Christ
Socrates
Caesar,
Garcia Lorca.
style is the difference,
a way of doing,
a way of being done.
6 herons standing quietly in a pool of water
or you walking out of the bathroom naked
without seeing
me.
Lost
by David Wagoner
Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have make this place around you.
If you leave it, you may come back again, saying Here.
No trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. You must let it find you.
Everything is Waiting for You
by David Whyte
Your great mistake is to act the drama
as if you were alone. As if life
were a progressive and cunning crime
with no witness to the tiny hidden
transgressions. To feel abandoned is to deny
the intimacy of your surroundings. Surely,
even you, at times, have felt the grand array;
the swelling presence, and the chorus, crowding
out your solo voice. You must note
the way the soap dish enables you,
or the window latch grants you freedom.
Alertness is the hidden discipline of familiarity.
The stairs are your mentor of things
to come, the doors have always been there
to frighten you and to invite you,
and the tiny speaker in the phone
is your dream-ladder to divinity.
Put down the weight of your aloneness and ease into
the conversation. The kettle is singing
even as it pours you a drink, the cooking pots
have left their arrogant aloofness and
seen the good in you at last. All the birds
and creatures of the world are unutterably
themselves. Everything is waiting for you.
Day in Autumn
By Rainer Maria Rilke
After the summer's yield, Lord, it is time
to let your shadow lengthen on the sundials
and in the pastures let the rough winds fly.
As for the final fruits, coax them to roundness.
Direct on them two days of warmer light
to hale them golden toward their term, and harry
the last few drops of sweetness through the wine.
Whoever's homeless now, will build no shelter;
who lives alone will live indefinitely so,
waking up to read a little, draft long letters,
and, along the city's avenues,
fitfully wander, when the wild leaves loosen.
Fragmentary Blue
By Robert Frost
Why make so much of fragmentary blue
In here and there a bird, or butterfly,
Or flower, or wearing-stone, or open eye,
When heaven presents in sheets the solid hue?
Since earth is earth, perhaps, not heaven (as yet)—
Though some savants make earth include the sky;
And blue so far above us comes so high,
It only gives our wish for blue a whet.
i have been a thousand different women
By Emory Hall
make peace
with all the women
you once were.
lay flowers
at their feet.
offer them incense
and honey
and forgiveness.
honor them
and give them
your silence.
listen.
bless them
and let them be.
for they are the bones
of the temple
you sit in now.
for they are
the rivers
of wisdom
leading you toward
the sea.
The Privileged Lovers
By Rumi
The moon has become a dancer
at this festival of love.
This dance of light,
This sacred blessing,
This divine love,
beckons us
to a world beyond
only lovers can see
with their eyes of fiery passion.
They are the chosen ones
who have surrendered.
Once they were particles of light
now they are the radiant sun.
They have left behind
the world of deceitful games.
They are the privileged lovers
who create a new world
with their eyes of fiery passion.
I Am Much Too Alone in This World, Yet Not Alone
By Rainer Maria Rilke
I am much too alone in this world, yet not alone
enough
to truly consecrate the hour.
I am much too small in this world, yet not small
enough
to be to you just object and thing,
dark and smart.
I want my free will and want it accompanying
the path which leads to action;
and want during times that beg questions,
where something is up,
to be among those in the know,
or else be alone.
I want to mirror your image to its fullest perfection,
never be blind or too old
to uphold your weighty wavering reflection.
I want to unfold.
Nowhere I wish to stay crooked, bent;
for there I would be dishonest, untrue.
I want my conscience to be
true before you;
want to describe myself like a picture I observed
for a long time, one close up,
like a new word I learned and embraced,
like the everyday jug,
like my mother's face,
like a ship that carried me along
through the deadliest storm.
When the Heart
By Michael Leunig
When the heart
Is cut or cracked or broken,
Do not clutch it;
Let the wound lie open.
Let the wind
From the good old sea blow in
To bathe the wound with salt,
And let it sting.
Let a stray dog lick it,
Let a bird lean in the hole and sing
A simple song like a tiny bell,
And let it ring.
Blank Joy
By Rainer Maria Rilke
She who did not come, wasn't she determined
nonetheless to organize and decorate my heart?
If we had to exist to become the one we love,
what would the heart have to create?
Lovely joy left blank, perhaps you are
the center of all my labors and my loves.
If I've wept for you so much, it's because
I preferred you among so many outlined joys.
Had I not seen the Sun
by Emily Dickinson
Had I not seen the Sun
I could have borne the shade
But Light a newer Wilderness
My Wilderness has made—
I am afraid to own a Body—
by Emily Dickinson
I am afraid to own a Body—
I am afraid to own a Soul—
Profound—precarious Property—
Possession, not optional—
Double Estate—entailed at pleasure
Upon an unsuspecting Heir—
Duke in a moment of Deathlessness
And God, for a Frontier.
Sometimes with the Heart
by Emily Dickinson
Sometimes with the Heart
Seldom with the Soul
Scarcer once with the Might
Few—love at all.
Walls
By Constantine P. Cavafy
Without consideration, without pity, without shame
they have built great and high walls around me.
And now I sit here and despair.
I think of nothing else: this fate gnaws at my mind;
for I had many things to do outside.
Ah why did I not pay attention when they were building the walls.
But I never heard any noise or sound of builders.
Imperceptibly they shut me from the outside world.
Coat
By Vicki Feaver
Sometimes I have wanted
to throw you off
like a heavy coat.
Sometimes I have said
you would not let me
breathe or move.
But now that I am free
to choose light clothes
or none at all
I feel the cold
and all the time I think
how warm it used to be.
“Poet Talking to Himself in the Mirror”
by Gregory Corso
Hey, in life
Where I went, I went
Where I stopped, I stopped
Where I spoke, I spoke
What I listened, I listened
What I ate, I ate
What I loved, I loved
Love After Love
By Derek Walcott
The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other's welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
The Grass so little has to do
By Emily Dickinson
The Grass so little has to do --
A Sphere of simple Green --
With only Butterflies to brood
And Bees to entertain --
And stir all day to pretty Tunes
The Breezes fetch along --
And hold the Sunshine in its lap
And bow to everything --
And thread the Dews, all night, like Pearls --
And make itself so fine
A Duchess were too common
For such a noticing --
And even when it dies -- to pass
In Odors so divine --
Like Lowly spices, lain to sleep --
Or Spikenards, perishing --
And then, in Sovereign Barns to dwell --
And dream the Days away,
The Grass so little has to do
I wish I were a Hay!
Looking Up in the Garden
by W.S. Merwin
These trees have no names
whatever we call them
where will the meanings be
when the words are forgotten
will I see again
where are you
will you be sitting
in Fran’s living room
will the dream come back
will I know where I am
will there be birds
On Living
By Nâzim Hikmet
I
Living is no laughing matter:
you must live with great seriousness
like a squirrel, for example—
I mean without looking for something beyond and above living,
I mean living must be your whole occupation.
Living is no laughing matter:
you must take it seriously,
so much so and to such a degree
that, for example, your hands tied behind your back,
your back to the wall,
or else in a laboratory
in your white coat and safety glasses,
you can die for people—
even for people whose faces you’ve never seen,
even though you know living
is the most real, the most beautiful thing.
I mean, you must take living so seriously
that even at seventy, for example, you’ll plant olive trees—
and not for your children, either,
but because although you fear death you don’t believe it,
because living, I mean, weighs heavier.
II
Let’s say we’re seriously ill, need surgery—
which is to say we might not get up
from the white table.
Even though it’s impossible not to feel sad
about going a little too soon,
we’ll still laugh at the jokes being told,
we’ll look out the window to see if it’s raining,
or still wait anxiously
for the latest newscast. . .
Let’s say we’re at the front—
for something worth fighting for, say.
There, in the first offensive, on that very day,
we might fall on our face, dead.
We’ll know this with a curious anger,
but we’ll still worry ourselves to death
about the outcome of the war, which could last years.
Let’s say we’re in prison
and close to fifty,
and we have eighteen more years, say,
before the iron doors will open.
We’ll still live with the outside,
with its people and animals, struggle and wind—
I mean with the outside beyond the walls.
I mean, however and wherever we are,
we must live as if we will never die.
III
This earth will grow cold,
a star among stars
and one of the smallest,
a gilded mote on blue velvet—
I mean this, our great earth.
This earth will grow cold one day,
not like a block of ice
or a dead cloud even
but like an empty walnut it will roll along
in pitch-black space . . .
You must grieve for this right now
—you have to feel this sorrow now—
for the world must be loved this much
if you’re going to say “I lived”. . .
To make a prairie
By Emily Dickinson
To make a prairie it takes a clover and one bee,
One clover, and a bee.
And revery.
The revery alone will do,
If bees are few.
My People
By Langston Hughes
Dream-singers,
Story-tellers,
Dancers,
Loud laughers in the hands of Fate—
My People.
Dish-washers,
Elevator-boys,
Ladies’ maids,
Crap-shooters,
Cooks,
Waiters,
Jazzers,
Nurses of babies,
Loaders of ships,
Porters,
Hairdressers,
Comedians in vaudeville
And band-men in circuses—
Dream-singers all,
Story-tellers all.
Dancers—
God! What dancers!
Singers—
God! What singers!
Singers and dancers,
Dancers and laughers.
Laughers?
Yes, laughers….laughers…..laughers—
Loud-mouthed laughers in the hands of Fate.
How to Hold the Heavy Weight of Now
By Dana Levin
She said, “You just made this gesture with your
body–” and opened her arms as if she could
barely fit them around an enormous ball—
“Make that shape again,” she said, and so I did.
“Now let it change,” she said, and I did—
slowly closing the space between my arms,
fingertips converging until they touched—
I watched my hands turn together, align pinkie-
side to pinkie-side, I watched
my palms open, pushing gently forward, leading
my body forward, I watched them
let a bird go, I watched my hands
make
an offering—
An Hour is not a House
By Jane Hirshfield
An hour is not a house,
a life is not a house,
you do not go through them as if
they were doors to another.
Yet an hour can have shape and proportion,
four walls, a ceiling.
An hour can be dropped like a glass.
Some want quiet as others want bread.
Some want sleep.
My eyes went
to the window, as a cat or dog left alone does.
Tree
By Jane Hirshfield
It is foolish
to let a young redwood
grow next to a house.
Even in this
one lifetime,
you will have to choose.
That great calm being,
this clutter of soup pots and books—
Already the first branch-tips brush at the window.
Softly, calmly, immensity taps at your life.
Love in August
By Jane Hirshfield
White moths
against the screen
in August darkness.
Some clamor
in envy.
Some spread large
as two hands
of a thief
who wants to put
back in your cupboard
the long-taken silver.
Do not ask your children to strive
By William Martin
Do not ask your children
to strive for extraordinary lives.
Such striving may seem admirable,
but it is the way of foolishness.
Help them instead to find the wonder
and the marvel of an ordinary life.
Show them the joy of tasting
tomatoes, apples and pears.
Show them how to cry
when pets and people die.
Show them the infinite pleasure
in the touch of a hand.
And make the ordinary come alive for them.
The extraordinary will take care of itself.
This Is Just To Say
By William Carlos Williams
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
To L.L.
By Oscar Wilde
Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long.
Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!
I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;
And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;
And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;
And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.
You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.
I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet
Little wings to your feet.
I remember your hair—did I tie it?
For it always ran riot—
Like a tangled sunbeam of gold:
These things are old.
I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;
And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From your shoulders rose.
And the handkerchief of French lace
Which you held to your face—
Had a small tear left a stain?
Or was it the rain?
On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,
‘You have only wasted your life.’
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.
Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!
Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know.
Poets' hearts break so.
But strange that I was not told
That the brain can hold
In a tiny ivory cell,
God's heaven and hell.
Life Dance
By Charles Bukowski
the area dividing the brain and the soul
is affected in many ways by
experience –
some lose all mind and become soul:
insane.
some lose all soul and become mind:
intellectual.
some lose both and become:
accepted.
Roll the Dice
By Charles Bukowski
if you’re going to try, go all the
way.
otherwise, don’t even start.
if you’re going to try, go all the
way. this could mean losing girlfriends,
wives, relatives, jobs and
maybe your mind.
go all the way.
it could mean not eating for 3 or
4 days.
it could mean freezing on a
park bench.
it could mean jail,
it could mean derision,
mockery,
isolation.
isolation is the gift,
all the others are a test of your
endurance, of
how much you really want to
do it.
and you’ll do it
despite rejection and the
worst odds
and it will be better than
anything else
you can imagine.
if you’re going to try,
go all the way.
there is no other feeling like
that.
you will be alone with the
gods
and the nights will flame with
fire.
do it, do it, do it.
do it.
all the way
all the way.
you will ride life straight to
perfect laughter,
it’s the only good fight
there is.
The Panther
By Rainer Maria Rilke
His vision, from the constantly passing bars,
has grown so weary that it cannot hold
anything else. It seems to him there are
a thousand bars; and behind the bars, no world.
As he paces in cramped circles, over and over,
the movement of his powerful soft strides
is like a ritual dance around a center
in which a mighty will stands paralyzed.
Only at times, the curtain of the pupils
lifts, quietly—. An image enters in,
rushes down through the tensed, arrested muscles,
plunges into the heart and is gone.
Some People
By Charles Bukowski
some people never go crazy.
me, sometimes I'll lie down behind the couch
for 3 or 4 days.
they'll find me there.
it's Cherub, they'll say, and
they pour wine down my throat
rub my chest
sprinkle me with oils.
then, I'll rise with a roar,
rant, rage -
curse them and the universe
as I send them scattering over the
lawn.
I'll feel much better,
sit down to toast and eggs,
hum a little tune,
suddenly become as lovable as a
pink
overfed whale.
some people never go crazy.
what truly horrible lives
they must lead.
Phenomenal Woman
By Maya Angelou
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I went fishing with my family when I was five
By Tao Lin
when i was five
i went fishing with my family
my dad caught a turtle
my mom caught a snapper
my brother caught a crab
i caught a whale
that night we ate crab
the next night we ate turtle
the next night we ate snapper
the next night we ate whale
the next night we ate whale
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